Syreeta Hector exploits and expands on ballet training in this solo dance performance. She explores the complexities of her Black, Indigenous identity manifesting within the confines of a highly traditional, Eurocentric art form.
The Pressgang Theatre production of White Heat, playing as part of Summerworks 2019, is disturbing, powerful, and could be pulled from today’s headlines. Playwright Graham Isador based the play on real events, which makes it even more ominous.
Ravi Jain’s direction, Claire Calnan, Miriam Fernandes, and Andrew Musselman’s acting, and Nicolas Billion’s script are a magic combination. It has yielded an exquisite, polished theatre gem.
Definitions of what and who are “criminal” or “insane” have historically been tailored to benefit the rich and powerful at the expense of the poor and marginalized. This fact is readily apparent as one watches Audible Songs From Rockwood at the 2019 SummerWorks Performance Festival, a song cycle by Simone Schmidt (akaFiver) based on the case files of ten women incarcerated at Rockwood Asylum for the Criminally Insane between 1856-1881.