Safe and Sorry by Lester Trips (Theatre) is playing at the 2019 SummerWorks Festival. It’s a surreal descent into the dark, nebulous online communities surrounding pickup artistry, and manages moments of frightening hilarity and quiet reflection.
Performed partly in ASL, using both surtitles and spoken word, Deafy, written and performed by Chris Dodd and directed by Ashley Wright, is now on as part of SummerWorks 2019.
Dodd plays Nathan Jesper, a liaison with the National Deaf Association who travels the world giving educational talks on Deaf culture. At the top of the show he is late for a scheduled talk. As his presentation progresses, it derails from his usual content and we eventually learn why. Continue reading Deafy (Why Not Theatre) 2019 SummerWorks Review→
Crossing into Lullaby is a work in development, and part of the SummerWorks 2019 Lab programming. The best way I can describe the way it’s presented is that it’s like a staged reading, but with actors moving around the stage rather than sitting in place.
I love stage readings. They set my imagination free. Often, when I think back to them, I’m not sure if it’s a reading I saw or a play with a set and costumes that I’m remembering.
The year is 1969 — Apollo 11 is about to land on the moon leading to Neil Armstrong’s one giant leap for mankind. The Vietnam war rages on, the Black Panther movement is on the rise, Trudeau (Sr.) is in office, and in Toronto , Rochdale College, an experiment in co-op housing and alternative education, is on the brink of collapse. Playing at this year’s SummerWorks Festival, written by David Yee and directed by Nina Aquino, the graduating class of York University’s Theatre Department is prepared to take you on a journey of Rochdale‘s wild side. Continue reading Rochdale (GovCon) 2019 SummerWorks Review→