Alumnae Theatre stages a play by television writer Michael Jacobs in Toronto
If you want to see some paintings this weekend and don’t want to go to just any old gallery, check out Alumnae Theatre’s production of Impressionism by Michael Jacobs. On until April 27 in Alumnae’s main space.
Impressionism is a play by writer Michael Jacobs, whom you’re probably more familiar with as the creator of Boy Meets World as well as several other television shows. In Impressionism Jacobs’ television writing shines through in the show’s humour, with some truly funny banter and zingers. Continue reading Review: Impressionism (Alumnae Theatre)
Tarragon Theatre presents a new play by Daniel MacIvor in Toronto
New Magic Valley Fun Town is wonderfully funny, extremely moving, and quintessentially Nova Scotian. This new play is written by, and starring, Daniel MacIvor. You can catch it at Tarragon Theatre (30 Bridgman Ave.) from now until March 31st.
New Magic Valley Fun Town captures the lives of a family of Cape Bretoners in their hilarious nuances. It opens with lighthearted comedy, but by the end you may get a bit misty eyed. With great acting and writing, I found this play to be immensely rewarding. Continue reading Review: New Magic Valley Fun Town (Tarragon Theatre)
The Stratford Festival production of The Virgin Trial, a play by Kate Hennig, is onstage in Toronto
After premiering at the Stratford Festival‘s 2017 season, The Virgin Trial by Kate Hennig has hit Toronto stages, being produced by Soulpepper. It’s on until February 3rd, so this is your last week to catch it at the Young Center For The Performing Arts (50 Tankhouse Lane).
The Virgin Trial is a tense historical, political thriller that tells the story of a 15-year-old Elizabeth Tudor (Elizabeth The First). After an attempt on King Edward VI’s life, his Lord Protector brings in Elizabeth, called Bess in the show, to question her involvement and inquire about her supposed virtue.
Continue reading Review: The Virgin Trial (Soulpepper)
Holiday Improv arrives on the Toronto stage
The Wonder Pageant isn’t the Coal Mine Theatre’s (1454 Danforth Ave.) typical kind of production, and the cast jokes about this early into the show. This is hilarious improv show taking place in Toronto’s East End, and I highly recommend checking it out this holiday season.
While the company is known for its more serious theatrical productions, this evening of improv is anything but. What it does manage to be is exceedingly charming. The set is a homey little living room, and when you sink into your chair it really feels like you’re over at a friends’ holiday party. Continue reading Review: The Wonder Pageant (Coal Mine Theatre)
Tarragon Theatre’s The Message, is “wonderfully performed” yet “dense” playing in Toronto
This one’s a thinker for sure… It gave me a ton of material to work through and I’m still puzzling over it. If you want to see a show that’ll invoke your undergrad media studies classes, The Message is being put on by Tarragon Theatre from now until December 16, 2018.
The set stands out from the moment you walk into the theatre. As with all Tarragon shows, this play has high production value with a lot of creativity behind it. The Message, by Jason Sherman, tells the story of Canadian academic Marshall McLuhan as he struggles in the wake of life-altering surgery.
Continue reading Review: The Message (Tarragon Theatre)
Theory, a play by Norman Yeung, is seat-gripping thriller playing at Toronto’s Tarragon Theatre
If you’re looking for some real scares this fall season, turn your attention away from schlocky horror flicks and consider trekking out to Tarragon Theatre. Theory is on until November 25, and it’s an absolute thrill that’ll keep you on the edge of your seat.
Theory is an original play by writer Norman Yeung. It’s a sort of social justice thriller with some very relevant dialogue, but the overarching perspective is still quite sensitive and informed. Continue reading Review: Theory (Tarragon Theatre)
A play by Joan MacLeod igniting conversations about mental health is now on stage in Toronto
The Valley by Don’t Look Down Theatre Company hopes to ignite conversations about mental health. It’s taking place in Theatre Passe Muraille’s (16 Ryerson Ave.) backspace until September 23, 2018 and I thought it made for a memorable show.
The Passe Muraille Backspace is tiny and chilly from the AC. The tough content of this show certainly won’t warm you, but perhaps the dialogue it inspires will. This is a show about four characters in Vancouver and how their lives are affected by mental illness.
Continue reading Review: The Valley (Don’t Look Down)
If you’re looking for laughs at the 2018 Toronto Fringe Festival, look no further than COCONUTS, CEDAR TREES, AND MAPLE LEAVES, playing at Sarah’s Bar and Cafe. (1426 Danforth Ave.).
It’s funny that I’ve often heard Fringe described as having “everything” in casual conversation, yet COCONUTS, CEDAR TREES, AND MAPLE LEAVES is the first stand-up show I’ve seen at the festival in three years of writing reviews. I really enjoyed this show, and thought that its medium and tone made it stand out among the countless other Fringe shows that I’ve seen before.
Continue reading COCONUTS, CEDAR TREES, AND MAPLE LEAVES (Habib Siam and Jean Paul) 2018 Toronto Fringe Review
If you have a love of open-mics, be they musical or comedy, then you will absolutely want to check out Lighters In The Air produced by Dive Bar Theatre and playing at the Monarch Tavern as part of the 2018 Toronto Fringe Festival.
If you don’t care for open-mics but enjoy theatre and live music, you will probably enjoy this show nonetheless, because everyone performing is exceptionally polished. And if you’ve never been to an open mic, then prepare to have the bar for your open-mic expectations set ridiculously high.
Continue reading Lighters In The Air (Dive Bar Theatre) 2018 Toronto Fringe Review
“Tight, well-acted, and deeply poignant” play now on stage in Toronto
If you’re in the mood for a coming-of-age classic, Neil Simon’s Brighton Beach Memoirs is being put on by the Harold Green Theatre Company until June 10, 2018.
When I walked into the Greenwin Theatre with my friend Zack, we were immediately impressed by the beautiful set, a Depression Era home with two levels and every detail accounted for. It pulls you into the show, which is part of Neil Simon’s Eugene Trilogy: a semi-autobiographical series of plays covering the life of the famous playwrights’ surrogate, Eugene Jerome. Brighton Beach Memoirs is the first of the series, and it details events in Eugene’s teenage life.
Continue reading Review: Brighton Beach Memoirs (Harold Green)