Holiday Improv arrives on the Toronto stage
The Wonder Pageant isn’t the Coal Mine Theatre’s (1454 Danforth Ave.) typical kind of production, and the cast jokes about this early into the show. This is hilarious improv show taking place in Toronto’s East End, and I highly recommend checking it out this holiday season.
While the company is known for its more serious theatrical productions, this evening of improv is anything but. What it does manage to be is exceedingly charming. The set is a homey little living room, and when you sink into your chair it really feels like you’re over at a friends’ holiday party. Continue reading Review: The Wonder Pageant (Coal Mine Theatre)
Tarragon Theatre’s The Message, is “wonderfully performed” yet “dense” playing in Toronto
This one’s a thinker for sure… It gave me a ton of material to work through and I’m still puzzling over it. If you want to see a show that’ll invoke your undergrad media studies classes, The Message is being put on by Tarragon Theatre from now until December 16, 2018.
The set stands out from the moment you walk into the theatre. As with all Tarragon shows, this play has high production value with a lot of creativity behind it. The Message, by Jason Sherman, tells the story of Canadian academic Marshall McLuhan as he struggles in the wake of life-altering surgery.
Continue reading Review: The Message (Tarragon Theatre)
Theory, a play by Norman Yeung, is seat-gripping thriller playing at Toronto’s Tarragon Theatre
If you’re looking for some real scares this fall season, turn your attention away from schlocky horror flicks and consider trekking out to Tarragon Theatre. Theory is on until November 25, and it’s an absolute thrill that’ll keep you on the edge of your seat.
Theory is an original play by writer Norman Yeung. It’s a sort of social justice thriller with some very relevant dialogue, but the overarching perspective is still quite sensitive and informed. Continue reading Review: Theory (Tarragon Theatre)
A play by Joan MacLeod igniting conversations about mental health is now on stage in Toronto
The Valley by Don’t Look Down Theatre Company hopes to ignite conversations about mental health. It’s taking place in Theatre Passe Muraille’s (16 Ryerson Ave.) backspace until September 23, 2018 and I thought it made for a memorable show.
The Passe Muraille Backspace is tiny and chilly from the AC. The tough content of this show certainly won’t warm you, but perhaps the dialogue it inspires will. This is a show about four characters in Vancouver and how their lives are affected by mental illness.
Continue reading Review: The Valley (Don’t Look Down)
If you’re looking for laughs at the 2018 Toronto Fringe Festival, look no further than COCONUTS, CEDAR TREES, AND MAPLE LEAVES, playing at Sarah’s Bar and Cafe. (1426 Danforth Ave.).
It’s funny that I’ve often heard Fringe described as having “everything” in casual conversation, yet COCONUTS, CEDAR TREES, AND MAPLE LEAVES is the first stand-up show I’ve seen at the festival in three years of writing reviews. I really enjoyed this show, and thought that its medium and tone made it stand out among the countless other Fringe shows that I’ve seen before.
Continue reading COCONUTS, CEDAR TREES, AND MAPLE LEAVES (Habib Siam and Jean Paul) 2018 Toronto Fringe Review
If you have a love of open-mics, be they musical or comedy, then you will absolutely want to check out Lighters In The Air produced by Dive Bar Theatre and playing at the Monarch Tavern as part of the 2018 Toronto Fringe Festival.
If you don’t care for open-mics but enjoy theatre and live music, you will probably enjoy this show nonetheless, because everyone performing is exceptionally polished. And if you’ve never been to an open mic, then prepare to have the bar for your open-mic expectations set ridiculously high.
Continue reading Lighters In The Air (Dive Bar Theatre) 2018 Toronto Fringe Review
“Tight, well-acted, and deeply poignant” play now on stage in Toronto
If you’re in the mood for a coming-of-age classic, Neil Simon’s Brighton Beach Memoirs is being put on by the Harold Green Theatre Company until June 10, 2018.
When I walked into the Greenwin Theatre with my friend Zack, we were immediately impressed by the beautiful set, a Depression Era home with two levels and every detail accounted for. It pulls you into the show, which is part of Neil Simon’s Eugene Trilogy: a semi-autobiographical series of plays covering the life of the famous playwrights’ surrogate, Eugene Jerome. Brighton Beach Memoirs is the first of the series, and it details events in Eugene’s teenage life.
Continue reading Review: Brighton Beach Memoirs (Harold Green)
Toronto Sketch Comedy Festival brings laughs to the Toronto stage!
The Toronto Sketch Comedy Festival is on this week until March 11th, and it’s an absolute romp. If you get the chance, then you have to check out at least one of the many hilarious shows being put on throughout the city. I was lucky enough to see two at the Comedy Bar this past weekend.
Leaning on a high-chair, watching sketches with a pint of beer is very much my speed. Sketch and stand-up comedy are my jam, and I was very excited at the opportunity to kick back and give an overview of the festival, repping Toronto’s fantastic scene with locations you’ll rarely see in theatre reviews. There’s always something going on in the city, and I’d recommend a visit to one of our many comedy clubs anytime, but Sketchfest really is something to catch while you can.
Continue reading Overview: Toronto Sketchfest
Hart House Theatre presents The Bard’s bloodiest tragedy, on stage in Toronto
Titus Andronicus, the bloodiest and possibly most infamous of Shakespeare’s tragedies is onstage now at Hart House Theatre. You won’t see this show being put on very often, so if you’re up for some particularly repulsive content, this is your chance.
To be honest, I knew little of Titus Andronicus going into this review, and I made a conscious decision to keep it that way. It seemed like a real treat to experience one of the bards’ tales with a fresh perspective. My guest Arun, despite being a seasoned actor who’s been in multiple Shakespeare productions, went in with a similar mindset. We were both excited going into Hart House theatre.
Continue reading Review: Titus Andronicus (Hart House Theatre)
This one-man show is “haunting” and “resonating”, at the Theatre Passe Muraille in Toronto
Krapp’s Last Tape is a short play by Samuel Beckett about an old man looking back on a life lived alone and less-than-well. It isn’t the sort of thing you want to watch by yourself after being cancelled on twice, but that was my situation this past weekend. My friends missed out though, because Theatre Passe Muraille’s production makes for a spectacular and deeply intimate show.
Without a doubt, this is the best use of the Passe-Muraille’s Backspace that I’ve seen. Normally, the shows I see there come from small production companies that would want for a larger performance space if it were available to them. Here, Krapp’s Last Tape makes great use of the backspace’s intimacy. Continue reading Review: Krapp’s Last Tape (Theatre Passe Muraille)