It’s a tall order for one person to tackle a couple dozen characters in one show. And in Magical Mystery Detour by Gemma Wilcox at the Toronto Fringe Festival you’ll see it being done quite beautifully.
This is a touching show about a woman on a solo road trip at the end of a very long and trying year. It is at times funny and heartbreaking, and Magical Mystery Detour is one of the most impressive Fringe shows I’ve seen.
Continue reading Magical Mystery Detour (Gemma Wilcox) 2017 Toronto Fringe Review
First times are always scary. And in Weaksauce, an original one man show by actor and writer Sam Mullins at the 2017 Toronto Fringe Festival, we experience some of the most intimate and hilarious first-time stories from Mullins’ past.
Sam Mullins is a masterful storyteller, and he carries this show very well. Clocking in at about an hour and ten minutes, I didn’t quite believe that I was sitting down for a Fringe solo show until I got into the Helen Gardiner Phelan Playhouse and saw nothing but a small black chair and a water bottle onstage. Continue reading Weaksauce (Sam Mullins) 2017 Toronto Fringe Review
When five strangers are huddled around a car for 100 hours, things are bound to get a little weird. In HANDS DOWN by Shoot Good Films at the Toronto Fringe Festival, things get very weird.
HANDS DOWN is written by Warren P. Sonoda, an experienced television comedy director with credits like Trailer Park Boys and This Hour Has 22 Minutes. Going into this show, I was excited to see how someone with a high-caliber, albeit slightly different, professional background would tackle the Fringe Festival as writer and director.
Continue reading HANDS DOWN (Shoot Good Films) 2017 Toronto Fringe Review
InspiraTO delivers, both in inspiration and entertainment, on stage in Toronto
From now until June 10, there’s something special going on at the Alumnae Theatre (70 Berkeley St). It’s the annual InspiraTO short-play festival. In the runtime of just one hour, you can see 6 original short plays.
InspiraTO chooses its shows from over two-hundred submissions. With this vast selection, it’s unsurprising that the short plays that make it into the festival are quite good. I was generally impressed by what I saw onstage. These plays are short and to the point; some were a bit too on-the-nose for my liking, but the brevity and variety meant that I was never bored. I really recommend checking out this festival.
Continue reading Review: redShow / blueShow (InspiraTO)
Intimate production of Edward Albee play takes to the Toronto stage
If you’re in the mood to grab a few drinks at a fine Queen West establishment, have a some hearty laughs, and then seriously question the fabric of your reality, then boy have I got a play for you: Toronto Indie theater company Seven Siblings Theatre‘s production of Edward Albee’s Pulitzer-nominated show, The Play About The Baby.
Continue reading Review: The Play About The Baby (Seven Siblings Theatre)
Top of the line comedy in Truth’n’Lies Theatre’s Liars at a Funeral, on stage in Toronto
Sibling rivalry, decades old secrets, and even older grudges come to a head at a fake funeral in Truth’n’Lies Theatre’s original play Liars at a Funeral. This new piece is on stage until May 14 at St. Vladimir Theatre.
This is one of the funniest shows I’ve seen in awhile. Take any scene from Liars at a Funeral, and you’ll find that it’s excellently done. Taken as a whole I did find some flaws, but the acting is always on-point, the production value is all there, and the writing is genuinely funny. While the conceit and story-arc leave something to be desired, the script has some of the best original comedy-writing I’ve seen onstage in my time reviewing for Mooney. Continue reading Review: Liars at a Funeral (Truth’n’Lies Theatre)
Canadian Stage brings the classic painting by Hieronymus Bosch to life in Toronto
This weekend only (April 19-23, 2017), you can see renowned choreographer Marie Chouinard’s rich and vivid work bringing the art of Hieronymous Bosch to the stage in Hieronymus Bosch: The Garden of Earthly Delights at the Bluma Appel Theatre.
Hieronymus Bosch was a Dutch painter in the 15th and 16th Centuries that created some fantastical imagery of religious scenes. Here, choreographer Marie Chouinard captured the imagery and spirit of Bosch’s most famous work, The Garden of Earthly Delights.
Continue reading Review: Hieronymous Bosch: The Garden of Earthly Delights (Canadian Stage)
Spoon River returns to Toronto stages with offerings of folk, bluegrass, and cemetery tales
Soulpepper’s Spoon River is in it’s fifth incarnation, and you might want to catch it before it heads off to New York at the end of the month. It’s on until April 21, 2017 at the Young Centre for the Performing Arts (50 Tank House Lane).
Soulpepper’s Spoon River is an adaptation of the collection of poems by Edgar Lee Masters, which tell the many tales of the dead folk living in the cemetery of the town of the same name. Some of the poems are made into monologues, while others are put to song.
Continue reading Review: Spoon River (Soulpepper)
Toronto’s Theatre Rusticle incorporates movement into Thornton Wilder’s play Our Town
Theatre Rusticle productions are sparse and anticipated by those in the know. They focus on physical theatre, and I was eager to review their production of Thornton Wilder’s Our Town, which is currently playing at Buddies in Bad Times Theatre until April 2nd.
I’m not a die-hard fan of Our Town, which is funny because I directed it in my last year of university. I was curious to see what Theatre Rusticle would do with it because I know it can be a divisive show. The first and second acts are purposefully slow, watching small town folk live their “dull” lives. But the third explains why those acts were important so poignantly that hopefully you’ll forgive the play so long as everything has been done reasonably well. And this production does it very, very well. Continue reading Review: Our Town (Theatre Rusticle)
Toronto’s Soulpepper presents the avant-garde theatre piece Cage as part of its new Solo Series
Every time I go to an art gallery, there’s always the weird room. You know the one I’m talking about: the dark room with black and white projections, noise music or static playing over the speakers. It’s the room that you walk into and think “what the hell is this?” but you feign interest if you’re on a date.
Cage is being put on by Soulpepper at the Young Centre for the Performing Arts until March 25th. To me, it was a lot like the weird room at the art gallery, only instead of leaving after a few minutes, I watched it for an hour. I’m glad I did though; because regardless of my personal preferences going into it, I concede that this is a challenging piece that delicately toes the line between theatre and performance art. Continue reading Review: Cage (Soulpepper)