Two Stroke Roll

Review by John Bourke

Two Stroke Roll, part of Factory Theatre’s Performance Spring Festival, is a one person show written and performed by David King. There’s two different ways of looking at shows like this. On the one hand, it tends to be a very personal experience, almost voyeuristic; on the other hand, without the objective input of another person on a show, the singular focus can lead to someone perhaps not cutting or changing something that perhaps should. I mention this simply because Two Stroke Roll has a good chunk of focus, but could also benefit a little from some judicious cutting or changing.

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Mirvish & DanCap Royal Rumble Cage Match!

by Megan Mooney

So, I already have a post about this up at blogTO, so I’m not going to rehash the details here.

The short version, just in case you’re not up to speed on this, is that Mirvish is going to buy the Canon and Panasonic theatres, and DanCap really hates the idea. Hates the idea so much in fact, that they’re taking Mirvish and the company that currently owns the buildings to court.

But I really do want to say that I think this is quite funny to watch. I know that’s probably impolitic, and that I should be coming down on one side of the fence or another on this issue, but the truth is, I kinda don’t care.

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CrossCurrents at Factory Theatre

by Megan Mooney

One of the many great things about theatre in Toronto is that come spring there are festivals everywhere. For example, the CrossCurrents festival May 2 – 11, 2008 at Factory Theatre.

CrossCurrents brings forward works of ‘artists of colour’ from across Canada. Artists from visible-minorities are under represented in the theatre world in Canada. Things have improved in the last few years, but there is no denying that the Toronto theatre scene is not a representation of Toronto as a whole. Unlike the theatre scene, Canada and Toronto are filled with a variety of colours, hues and ethnicities. As the artistic producer of the CrossCurrents festival said “The inside of a TTC bus is what Canada is”.

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