Announcement: Canadian Stage to bring the work of Egoyan, Crimp, Logan, Pite, Beckett and more to their 2011/12 Season

by Jenna Rocca

Canadian Stage will continue to bring Toronto groundbreaking and imaginative contemporary theatre with its just announced 2011-12 season. Yesterday, General and Artistic Director Matthew Jocelyn explained that he hopes to continue to”define and realize a new position for Canadian Stage,” working with what he describes as “original, bold, and fearless” artists, bringing the audience on “enchanting, unexpected, and thrilling theatrical voyages.”

The lineup of shows for the next season is indeed “bold” and draws a strong continuity with the programming of Jocelyn’s past seasons. With more exciting nude choreographic works, the works of international artists and a newly commissioned translation, the lineup is a veritable pastiche of the trends in the contemporary theatre scene, bringing together artists of both local and international scope. Continue reading Announcement: Canadian Stage to bring the work of Egoyan, Crimp, Logan, Pite, Beckett and more to their 2011/12 Season

Review: Seriously! Dramatically Improvised Stories

By Sam Mooney

Having read Mira’s profile of Seriouly! Dramatically Improvised Stories in Mooney on Theatre I was looking forward to seeing the show.  Like Mira I just associated improv with comedy and found the idea of of dramatic improv appealing.

I saw the show Tuesday night at Bad Dog Theatre with Mira.  There were only 6 of us in the audience.  A real shame, I think that must make it very difficult for performers. Continue reading Review: Seriously! Dramatically Improvised Stories

Review: The 32nd Annual Rhubarb Festival, Week One (Buddies in Bad Times Theatre)

By Dorianne Emmerton

When receiving accreditation to cover Rhubarb, I was told “Please note: because the work is experimental/new we ask that critics not review the work, but enter in a conversation about themes and forms etc.”

As much as that instruction seems difficult to put into practice, it didn’t surprise me. I’ve been to many Rhubarbs (I even performed in one once), so I’m well aware that this isn’t conventional theatre with conventional aspects to “review.” Most of these shows are more “performance art” than “theatre.”

For those unfamiliar with Rhubarb, it is a festival of short experimental works running concurrently in both Buddies spaces: the Chamber and the Cabaret. Each show is no longer than half an hour and at the end of each you can stay in the space you are in to see the next show or change to the other room. Continue reading Review: The 32nd Annual Rhubarb Festival, Week One (Buddies in Bad Times Theatre)

Review: South Pacific (Dancap)


After a successful run last summer, Dancap brings the Lincoln Center Theater’s magnificent production of Rodgers and Hammerstein’s South Pacific back to Toronto for a return engagement at the Toronto Centre for the Arts.

Based on a collection of short stories, Tales of the South Pacific, written by James A. Michener immediately after World War II, South Pacific originally debuted on Broadway in 1949. The show is a staple of the American musical theatre canon and features recognizable songs like “Some Enchanted Evening” and “Bali Ha’i”.

Continue reading Review: South Pacific (Dancap)

Review: The Secret Garden (Mirvish)

By Wayne Leung

Mirvish is presenting the Edinburgh Festival Theatre’s new production of the musical, The Secret Garden by Marsha Norman and Lucy Simon at Toronto’s Royal Alexandra Theatre through March 20, 2011.

The play is based on the novel, The Secret Garden by Frances Hodgson Burnett. First published in 1911, the novel has become an enduring classic in children’s literature.

The Secret Garden tells the story of a young British girl, Mary Lennox, who is orphaned after her parents die of a cholera epidemic in India and sent to live in the large, gloomy estate of her uncle Archibald Craven in Yorkshire.

Continue reading Review: The Secret Garden (Mirvish)