I don’t remember what prompted me to want to see The Mating Game at Tarragon Theatre (Mainspace) by RewritesRewires at the Toronto Fringe Festival. I think I was attracted to the idea of people having to adapt to the dating scene again, including getting used to technology that didn’t exist or wasn’t well developed when they were younger. I find change difficult, so I could relate to many elements of the show.
Continue reading The Mating Game (RewritesRewires) 2018 Toronto Fringe Review
I wanted to see Generally Hospital at the Tarragon Theatre Extraspace by All Access Sketch at the Toronto Fringe Festival because its description caught my eye. I also have a good friend who’s a nurse, so I figured it would be fun to tell her about the show after I saw it.
The day I saw Generally Hospital also happened to be the day the Tarragon Theatre experienced a bomb threat. Thankfully, the crisis passed and the show was only about 15 minutes delayed. It was well worth the wait.
Continue reading Generally Hospital (All Access Sketch) 2018 Toronto Fringe Review
I felt compelled to see Morning Buzz Live! at the Randolph Theatre by Mixtape at the Toronto Fringe Festival because I was curious about what a show about a morning talk show would be like.
The show’s description piqued my interest, and I wanted to know exactly how the topics of sexism, racism, and diversity hiring would play out on stage. There were some good points to Morning Buzz Live!, but its execution left something to be desired.
Continue reading Morning Buzz Live! (Mixtape) 2018 Toronto Fringe Review
I decided to see Mable & Able at the Factory Theatre (Studio) by Loqui Productions at the Toronto Fringe Festival because the show’s description appealed to me.
Continue reading Mable and Able (Loqui Productions) 2018 Toronto Fringe Review
I was feeling pretty tired by the time I went in to see La Femme Kabarett at the Randolph Theatre by Christina Digiuseppe at the Toronto Fringe Festival, but I’m very glad that I did see the show.
Continue reading La Femme Kabarett (Christina Digiuseppe) 2018 Toronto Fringe Review