All posts by S. Bear Bergman

S. Bear Bergman has great faith in the power of theatre to make change, and has been putting his money where his mouth is on that one for some time. A writer, performer, and lecturer, Bear works full time as an artist and cultural worker and loves to see as much live performance as possible – making this a fantastic gig for him.

Brothers (James McKee) 2011 SummerWorks review

One of the reasons I have always loved SummerWorks is for its willingness to schedule work that breaks boundaries, mixes forms, or ignores certain conventions in favour of possibility. Brothers, a melded dance and theatre piece with a side-order of cooking show, is precisely this kind of work. After leaving Factory Theatre, I remarked that it had been 40 utterly gorgeous minutes of dance and movement. Fortunately or unfortunately, however, Brothers is a 75-minute theatre piece.

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The Adventures of Mazel and Schlimazel (Ldub Productions, co-presented by The Ashkenaz Foundation) 2011 Toronto Fringe Review

As a theatre-loving parent of a toddler, I am so pleased – just on principle – with the existence of FringeKIDS. Even though children’s theatre can be hit-or-miss, just the experience of going has a lot to offer children. The Adventures of Mazel and Schlimazel, though, provided a good deal more.

Continue reading The Adventures of Mazel and Schlimazel (Ldub Productions, co-presented by The Ashkenaz Foundation) 2011 Toronto Fringe Review

Virginia Aldrige, BSc (quoi quoi quoi) 2011 Toronto Fringe Review

Lest avid readers of Mooney on Theatre begin to feel a concern that I don’t like anything, let me be clear: I unreservedly adored Virginia Aldrige, BSc, produced by quoi quoi quoi – a name you may remember from last year’s Fringe smash Raven For A Lark. It’s charming, well-told story of a young woman who follows her dream – sort of – and takes off for Africa.

Continue reading Virginia Aldrige, BSc (quoi quoi quoi) 2011 Toronto Fringe Review