All posts by Catherine Jan

A former freelance translator in Paris, Catherine Jan now enjoys writing in Toronto and about Toronto. Especially about Toronto theatre. She also blogs about translation, copywriting, editing and other word-related past-times at Catherine Translates. Are you on Twitter? Join @translatetrad‘s 2,000 followers who keep up with her workin’ girl tweets.

Review (Kid+1): The Wizard of Oz (Ross Petty Productions)

The Wizard of Oz - Ross PettyAn annual holiday tradition, Ross Petty Productions’ panto takes the stage in Toronto

This year’s Ross Petty holiday production at Toronto’s Elgin Theatre is a re-imagining of The Wizard of Oz, and it does not disappoint, thanks to the endearing characters, brightly coloured costumes and set, and jabs at politicians. We’re happily taken along the yellow brick road, while we watch Dorothy (spirited Camille Eanga-Selenge) make the world a better place.

Continue reading Review (Kid+1): The Wizard of Oz (Ross Petty Productions)

Review: Noises Off (Scarborough Players)

photo of Noises Off castScarborough Village Theatre presents the farcical play Noises Off in east Toronto

The actors of Noises Off at the Scarborough Village Theatre put on a fantastic show about actors putting on a not-so-fantastic show called “Nothing On.” Mishaps, both onstage and off, multiply with each scene throughout the course of this farce.

This play about a play was well-loved by the audience, thanks largely to the witty story by Michael Frayn, the physical comedy by the earnest but confused characters, as well as a set that shows us the stage of the fictional play in the first and final acts, but pivots to show what happens behind-the-scenes in the second act allowing us to see the frenzied behaviour on the other side of the curtain.

Continue reading Review: Noises Off (Scarborough Players)

Review: I Call myself Princess (Paper Canoe Projects/Cahoots Theatre/Native Earth Performing Arts)

I Call myself Princess, Jani Lauzon’s “play with opera,” is now playing at Toronto’s Aki Studio

Written by Jani Lauzon, I Call myself Princess is a powerful, captivating play that addresses Indigenous identity and culture. Playing at Toronto’s Aki Studio, this musical performance is above all an eye-opener.

Continue reading Review: I Call myself Princess (Paper Canoe Projects/Cahoots Theatre/Native Earth Performing Arts)

Birds Make Me Think About Freedom (L’Arche Toronto Sol Express) 2018 Toronto Fringe Review

Photo of Melissa Marshall in Birds Make Me Think about Freedom

Birds Make Me Think About Freedom by L’Arche Toronto Sol Express is a memorable, eye-opening story at the 2018 Toronto Fringe Festival. Playing at the Al Green Theatre, it reveals the dark past of the institutionalization of people with intellectual disabilities in Ontario. The play is performed with grace and beauty, and it tells us much about resilience. Continue reading Birds Make Me Think About Freedom (L’Arche Toronto Sol Express) 2018 Toronto Fringe Review

SUM: A Shadow Puppet Reading of David Egleman’s Tales from the Afterlive (Sticks and Strings Theatre) 2018 Toronto Fringe Review

Photo of Sequoia Erickson by Hans Krause

Playing at the Helen Gardiner Phelan Playhouse, SUM: A Shadow Puppet Reading of David Egleman’s Tales from the Afterlives is a shadow puppet performance at the 2018 Toronto Fringe Festival. Put on by Sticks and Strings Theatre, SUM is a reflection that touches upon God, heaven, reincarnation, self-awareness and other heavy themes.

Continue reading SUM: A Shadow Puppet Reading of David Egleman’s Tales from the Afterlive (Sticks and Strings Theatre) 2018 Toronto Fringe Review

Review: Queen Marie (Alumnae Theatre)

Ambitious Queen Marie plays at the Alumnae Theatre in Toronto

Playing at the Alumnae Theatre in Toronto’s Distillery District, Queen Marie is an engaging musical tribute to “great big girl” Marie Dressler. Dressler, whom I knew nothing of previously even though she won an Academy Award and acted with Greta Garbo and Charlie Chaplin, was an Ontario-born comic actor whose theatrical career spanned decades, right into the first “talkies”. Continue reading Review: Queen Marie (Alumnae Theatre)