All posts by Catherine Jan

A former freelance translator in Paris, Catherine Jan now enjoys writing in Toronto and about Toronto. Especially about Toronto theatre. She also blogs about translation, copywriting, editing and other word-related past-times at Catherine Translates. Are you on Twitter? Join @translatetrad‘s 2,000 followers who keep up with her workin’ girl tweets.

Review: The Cherry Orchard (Modern Times Stage Company and Crow’s Theatre)

Modern Times and Crow’s Theatre present a minimalist take on a Chekhov classic in Toronto

Playing at the Streetcar Crowsnest in the Toronto east end, The Cherry Orchard is a story about one aristocratic family’s struggle with transition. It was written by Anton Chekhov in 1903, just one year before his death. It was his last play.

Headed by a Russian matriarch Lyubov (Arsinee Khanjian), a family is at risk of losing their estate due to bad debts. Like Lyubov, her brother Leonid Gayev (Cliff Saunders) doesn’t have much of a head for business and is unable to find a proper solution to their property woes.

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Review (Kid+1): The Wizard of Oz (Ross Petty Productions)

The Wizard of Oz - Ross PettyAn annual holiday tradition, Ross Petty Productions’ panto takes the stage in Toronto

This year’s Ross Petty holiday production at Toronto’s Elgin Theatre is a re-imagining of The Wizard of Oz, and it does not disappoint, thanks to the endearing characters, brightly coloured costumes and set, and jabs at politicians. We’re happily taken along the yellow brick road, while we watch Dorothy (spirited Camille Eanga-Selenge) make the world a better place.

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Review: Noises Off (Scarborough Players)

photo of Noises Off castScarborough Village Theatre presents the farcical play Noises Off in east Toronto

The actors of Noises Off at the Scarborough Village Theatre put on a fantastic show about actors putting on a not-so-fantastic show called “Nothing On.” Mishaps, both onstage and off, multiply with each scene throughout the course of this farce.

This play about a play was well-loved by the audience, thanks largely to the witty story by Michael Frayn, the physical comedy by the earnest but confused characters, as well as a set that shows us the stage of the fictional play in the first and final acts, but pivots to show what happens behind-the-scenes in the second act allowing us to see the frenzied behaviour on the other side of the curtain.

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