All posts by Megan Mooney

Megan loves being in the thick of all things theatre, but her ultimate goal is to promote theatre to the world of non-theatre people. It was the same when she was the theatre writer for blogTO, or the Fringe Correspondent for CBC Radio One‘s Here and Now, as it is as the founder of Mooney on Theatre. Her basic belief is that there is theatre/performance out there for everyone to love, they just need to find it. This is not to be confused with the idea that everyone should love theatre for theatre’s sake, in fact, as obsessed as she is with theatre, even *she* doesn’t love all types of theatre.

The New Section of Mooney on Theatre, and the New Groundswell Festival

There’s a new part of Mooney on Theatre in the works.  It’s in its infancy, but it’s been born.  It’s a section called “Behind the Scenes”.  I’ll get into it in more details at another time, but the gist is, this will be a side of MoT that caters to industry folks (well, all readers who are curious about industry stuff really).

That includes things like me auditing workshops to give folks a flavour of what they can expect if they decide to take something like it.  And, to just generally give people an idea of what kind of stuff is out there that they can draw on.

Which brings me to this week…

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[Sponsored Article] Macbeth Opens at Hart House Theatre in Toronto on November 9, 2011

Whenever I have seen a Shakespearian piece at Hart House Theatre in Toronto, I have been impressed.  I expect the same from Macbeth, running November 9 to 26, 2011.

One of Shakespeare’s most famous pieces, Macbeth is the unhappy tale of a man who wants to be king and is willing to kill for it.  Even if you haven’t read or seen the show, you’re bound to have heard someone quote “is this a dagger I see before me?” or “Out, out damn spot!”  Now you get to hear them in context rather than out of the blue.  By the way, technically the quote is “Out, damned spot! out, I say!” but no one seems to use that when stating it out of the blue.

You also may have heard that actors, a suspicious bunch, aren’t willing to say Macbeth in a theatre, and instead refer to it as “The Scottish Play”.  See, the show is purported to bring bad luck, and there is speculation that the words uttered by the witches in the piece are a true incantation.  It’s spooky interesting stuff.  You should check it out and judge for yourself.

The show opens tomorrow (Wednesday November 9th) and runs until November 26. Tickets are $25 for adults and $15 for students & seniors, with a special student price of $10 on Wednesdays.  The show runs Wednesdays to Saturdays at 8pm, and in the last week there is also a Saturday matinee at 2pm.

Get your tickets at the UofTtix Box Office by phone at 416.978.8849, or online at www.uofttix.ca

See below for more detailed information in the press release:

Continue reading [Sponsored Article] Macbeth Opens at Hart House Theatre in Toronto on November 9, 2011

Roundtable Discussion on Oct 27 1-3pm at U of T – Theatre Criticism and the Internet

On Thursday I will join Kelly Nestruck, Aislinn Rose, and Glenn Sumi in a roundtable on Theatre Criticism and the Internet at the University of Toronto.

The roundtable at the Robert Gill Theatre is open to the public and free, so if you’re not busy you might want to check it out.

If you are interested but can’t make it it, it will be being live-tweeted with a yet-to-be-determined hashtag.  I’ll update here with what it is, and I will also tweet it, so follow me @mooneyontheatre for the hashtag.

The details from the event organizer are below:

Continue reading Roundtable Discussion on Oct 27 1-3pm at U of T – Theatre Criticism and the Internet

Review: Bigger Than Jesus (Factory Theatre, WYRD and Necessary Angel)

Rick Miller in Bigger Than JesusI first saw Bigger Than Jesus at Factory Theatre in 2005.  I was blown away and completely in love with the show.  I finally had the chance to see this Factory Theatre, WYRD and Necessary Angel co-production again, and I still love it in 2011.

Sometimes the shows I love are the hardest to review.  I suddenly feel some huge responsibility to make sure I convey just the right thing.  Instead of looking for the words to convey how I felt about a show, I find myself looking for the perfect words to convey my feelings on a piece.

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Review: Rapunzel – Unbraided!!! (but not uncut…) (Cabbagetown Theatre Company)

Cabbagetown Theatre Company develops and performs a short children’s theatre piece every year at the Cabbagetown Festival.   For 2011, the piece is Rapunzel – Unbraided!!! (but not uncut…).  This half-hour panto-style piece is not the same old Rapunzel story you’re used to.  It’s a piece written by Kim Sprenger & Co. that I think could safely be billed as being “inspired by Rapunzel.”

Continue reading Review: Rapunzel – Unbraided!!! (but not uncut…) (Cabbagetown Theatre Company)