When I emerged from the Passe Muraille Backspace (16 Ryerson Ave) having just seen Cut Up by Poison Cathedral Productions at the Toronto Fringe Festival, the woman working the booth asked me what it was about. To be honest, I’m still not entirely sure.
Continue reading Cut Up (Poison Cathedral) 2016 Toronto Fringe Review
4.48 Psychosis Captures a State of Mind, Now Playing in Toronto
NSK Theatre is mounting a short run of Sarah Kane’s 4.48 Psychosis in Toronto’s Storefront Theatre. 4.48 is a harrowing portrayal of depression and suicidal ideation, and the last work Kane produced before taking her own life in 1999.
I’ve heard 4.48 described as a very long suicide note being performed onstage. The play is not written with characters, just lines that could be divvied up between any number of actors. For this reason, any production of 4.48 will necessarily have a healthy dose of dramaturgy. So if the subject matter isn’t enough to make this a complex piece, this is a show that often forays into abstraction. Continue reading Review: 4.48 Psychosis (NSK Theatre)
Skylight is an Ambitious Show from a New Company
The folks at fledgling theatre company Hidden Cove Productions certainly have lofty ambitions. The title of their debut show, Skylight, seems to embody this. To me this was a show that swung for the fences, fell short of a home-run, but did manage to get on base.
I’m sure you’ve seen ads for this production plastered all over the TTC, that’s how I first heard about it. Skylight is written by the celebrated British playwright David Hare, someone that your more theatre savvy friends will at least pretend to know about. It won the Lawrence Olivier Award for Play of the Year in 1996. With decorated director Larry Moss at the helm and Stratford veteran Sara Topham as one of the leads, it’s clear that Hidden Cove is pulling out all the stops for their first show.
Continue reading Review: Skylight (Hidden Cove Productions)