Storytelling and dance in a double-bill make for a lovely show with Mother Sea / Manman La Mer and What Do You See?, which are playing at The Theatre Centre BMO Incubator (1115 Queen Street W, Toronto, ON) as part of SummerWorks 2017.
I enjoyed both of these shows, and though they were very different, I found that seeing them back-to-back made for a single cohesive experience. They both feature women of colour telling their stories, just one is in a more literal fashion.
Continue reading Mother Sea / Manman La Mer & What Do You See? (Crick Crack Collective / Jasmyn Fyffe Dance) SummerWorks Review 2017
In Moonlight After Midnight, a mysterious romance by Concrete Drops playing at the Toronto Fringe Festival, a man and woman meet in a hotel room, and we’re not sure why they’re there.
The two unnamed characters act out scenes that may or may not be real, and the rest of this show unfolds like a long series of riddles. The entire time I was struggling to figure out what was going on, but the audience is given just enough clues to stay hooked. The resolution is both poignant and satisfying.
Continue reading Moonlight After Midnight (Concrete Drops) 2017 Toronto Fringe Review
The Miserable Worm is a modern reimagining of Anton Chekov’s first untitled play (often called Platonov). It’s being put on by Let Me In Theatre at the Toronto Fringe Festival. That original piece has a runtime of about five hours, is apparently very nuanced, and to be honest I didn’t know anything about it going into this.
The Miserable Worm follows Platonov, played by the show’s creator Justine Christensen, an intellectual who’s gathered her friends for a weekend of debauchery in celebration of her birthday. Christensen gives us an aloof, arrogant, and deeply selfish character who ruthlessly turns her friends against her over the course of the show.
Continue reading The Miserable Worm (Let Me In) 2017 Toronto Fringe Review
It’s a tall order for one person to tackle a couple dozen characters in one show. And in Magical Mystery Detour by Gemma Wilcox at the Toronto Fringe Festival you’ll see it being done quite beautifully.
This is a touching show about a woman on a solo road trip at the end of a very long and trying year. It is at times funny and heartbreaking, and Magical Mystery Detour is one of the most impressive Fringe shows I’ve seen.
Continue reading Magical Mystery Detour (Gemma Wilcox) 2017 Toronto Fringe Review
First times are always scary. And in Weaksauce, an original one man show by actor and writer Sam Mullins at the 2017 Toronto Fringe Festival, we experience some of the most intimate and hilarious first-time stories from Mullins’ past.
Sam Mullins is a masterful storyteller, and he carries this show very well. Clocking in at about an hour and ten minutes, I didn’t quite believe that I was sitting down for a Fringe solo show until I got into the Helen Gardiner Phelan Playhouse and saw nothing but a small black chair and a water bottle onstage. Continue reading Weaksauce (Sam Mullins) 2017 Toronto Fringe Review