All posts by Stephen Lubin

Review: Peter and the Starcatcher (Lower Ossington Theatre)

Jason Gray as Black Stache and Nathaniel Kinghan as PeterToronto’s Lower Ossington Theatre presents Peter and the Starcatcher, a quintessential family show

It’s a sad fact of life that we all grow up, but if you want to feel like a kid again, you could go see Peter and the Starcatcher, running from July 7th to August 28th at the Lower Ossington Theatre. My guest and I had a lot of fun watching this play, though in retrospect I probably should have brought my 14 year old sister instead of my 24 year old cousin. This is a quintessential family show that reminds me of a Pixar movie in the way that viewers of all ages will be able to enjoy it for different reasons. Continue reading Review: Peter and the Starcatcher (Lower Ossington Theatre)

Goodbye To All That (Mirabilis) 2016 Toronto Fringe Review

Photo of [insert actors names]

Right off the bat, Goodbye To All That (playing in the Passe Muraille Mainspace at the Toronto Fringe Festival) has a great name going for it. It also sports some great dialogue and fantastic acting.

The show tells the story of a wayward man who falls in with a ragtag group at the Cabaret Voltaire in the midst of WWI. Through them, he learns of Dadaism as a form of expression. The show’s timeline is non-linear, but the plot is still concise and easy to follow. This play is a perfect example of dramedy, with an even balance of both the comedic and dramatic in it.

Continue reading Goodbye To All That (Mirabilis) 2016 Toronto Fringe Review

Review: 4.48 Psychosis (NSK Theatre)

Picture of Richard Veltri and Alina Starkov4.48 Psychosis Captures a State of Mind, Now Playing in Toronto

NSK Theatre is mounting a short run of Sarah Kane’s 4.48 Psychosis in Toronto’s Storefront Theatre. 4.48 is a harrowing portrayal of depression and suicidal ideation, and the last work Kane produced before taking her own life in 1999.

I’ve heard 4.48 described as a very long suicide note being performed onstage. The play is not written with characters, just lines that could be divvied up between any number of actors. For this reason, any production of 4.48 will necessarily have a healthy dose of dramaturgy. So if the subject matter isn’t enough to make this a complex piece, this is a show that often forays into abstraction. Continue reading Review: 4.48 Psychosis (NSK Theatre)

Review: Skylight (Hidden Cove Productions)


Skylight is an Ambitious Show from a New Company

The folks at fledgling theatre company Hidden Cove Productions certainly have lofty ambitions. The title of their debut show, Skylight, seems to embody this. To me this was a show that swung for the fences, fell short of a home-run, but did manage to get on base.

I’m sure you’ve seen ads for this production plastered all over the TTC, that’s how I first heard about it. Skylight is written by the celebrated British playwright David Hare, someone that your more theatre savvy friends will at least pretend to know about. It won the Lawrence Olivier Award for Play of the Year in 1996. With decorated director Larry Moss at the helm and Stratford veteran Sara Topham as one of the leads, it’s clear that Hidden Cove is pulling out all the stops for their first show.

Continue reading Review: Skylight (Hidden Cove Productions)