The 10/10/10 Project, presented by Bismuth Theatre  at Factory Theatre Mainspace as part of the Toronto Fringe Festival, is based on a unique concept. It can be easy to feel lost when watching such a conceptual show, but once I accepted that and went along for the ride, I experienced a fascinating exploration of writing, music, and dance.

Continue reading The 10/10/10 Project (Bismuth Theatre) 2015 Toronto Fringe Review →

I’m drawn to elliptical narratives, the audience held at the fringes of a story and their imaginations set free to colour in the details. Grey Paper Crane Projects’ Toronto Fringe entry, Mad Life Imagined, playing at the Robert Gill Theatre, promises such an experience with its “story told without the main character.” Sadly, I never caught a proper glimpse of this enigmatic central figure. Continue reading Mad Life Imagined (Grey Paper Crane Projects) 2015 Toronto Fringe Review →

Hey! Good Lookin’, playing at the Toronto Fringe, brings two sisters from different walks of life together after their mother suffers a stroke. Their mother has been living with dementia for years and the reality of mortality hits them full force in this eye-opening and poignant production.

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Dance is an illusion. It changes gravity and turns air into water. Bodies float and twist in the wind. In Kojira, a series of three short works by the random acts of dance company now playing at the Toronto Fringe Festival, these otherworldly possibilities are used to reveal the familiar truths of human experience.

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Continue reading Adventures of a Supervet Tech (Lilliput Productions) 2015 Fringe Review →