Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.
Bridget Gall has a one-woman show in this year’s Toronto Fringe Festival. The name alone made me want to see it. I mean, how can you resist something called Red Wine Teeth?
I made the mistake of kind of expecting it to be mostly a comedy. Although there were funny bits, I think it’s sometime I’d more likely class as a drama. It’s possible that it felt that way because for the most part, I think the ‘serious’ bits worked better than the ‘funny’ bits.
The Good Thief by Irish playright Conor McPherson presented by Flaming Locomotive from Australia and staring Allan Girod is billed as a drama which concerned me a bit because I don’t normally go to see dramas. I think because they make me cry and I figure, why pay to cry? I didn’t cry.
I did love the play and the performance. The Good Thief is a one character play and the character tells the audience a story. Allan Girod is terrific as a small-time hoodlum from Dublin. The story is engaging, violent, touching, sad, and has some very funny lines.
The very talented Paul Bates and Doug Morency are The Williamson Playboys, the oldest living father-and-son Cajun music duo. The show is an hour of songs and improv. Think Carl Reiner and Mel Brooks Thousand Year Old Man but funnier. Did I mention it’s funny? FUNNY, FUNNY, FUNNY!
You know what I love about the Fringe Festival? I love that you can go see a post-modern retelling of Lysistrata one minute, and then go see a play about poo the next. Isn’t theatre great?