Toronto Theatre Reviews

Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.

Review: Homewrecker (Coyote Collective/Leroy Street Theatre/Scapegoat Collective)

Photo of Blue Bigwood-Mallin and Susannah Mackay in HomewreckerHomewrecker, a new play by Danny Pagett, is now playing at Toronto’s Assembly Theatre

If a play’s purpose is to offer a take on a specific subject, I’m expecting a nuanced perspective to run through its core, and that is certainly the case with Homewrecker.

Currently running at The Assembly Theatre, the story centres on a cheating, self-loathing divorcee named Craig (Blue Bigwood-Mallin) eager to figure out where he went wrong, and Veronica (Susannah Mackay), the woman he cheated with, whose steely resolve he needs to put himself back together. Craig’s basement apartment—uncanny in its execution by set designer Chris Bretecher—sets a believable backdrop for the play’s extravagant central conceit: Craig’s $5000 offer to Veronica for a night’s company to prove to himself that he’s able to avoid seducing her again and is thus not the deviant sexual animal he thinks he is.

Continue reading Review: Homewrecker (Coyote Collective/Leroy Street Theatre/Scapegoat Collective)

Review: No Foreigners (fu-GEN/Hong Kong Exile)

No Foreigners Production Photo
A multimedia production of David Yee’s new play takes the stage at Toronto’s Theatre Centre

As I watched No Foreigners, a co-production between fu-GEN Theatre Company and Hong Kong Exile produced in association with Theatre Conspiracy and presented at The Theatre Centre, I was reminded of an essay by Wayson Choy, “I’m a Banana and Proud of It,” wherein he describes his long road to accepting “the paradox of being both Chinese and not Chinese.”

This is the same paradox the play explores, using the setting of Chinese shopping malls as “racialized spaces of cultural creation and clash.” Text writer David Yee asks us: what does it mean to be Chinese? What is it like to feel like a foreigner in your own country, or to your own background? Do you belong everywhere, or nowhere? The questions are universal; the way the play deals with them is unique, fascinating, and thoroughly amusing.

Continue reading Review: No Foreigners (fu-GEN/Hong Kong Exile)

Review: Map By Years (Peggy Baker Dance Projects)

Photo of Jessica Runge in Her HeartPeggy Baker presents a unique evening of dance at Toronto’s Theatre Centre

Peggy Baker has been one the major figures in Canadian modern dance for many years, but I had never see her work. So I was excited by the opportunity to see Peggy Baker Dance Projects’ Map By Years, currently being performed at The Theatre Centre. This evening of solo performances features four very different works that all showcase strong dancers and that share a common thread of longing and mysticism. Continue reading Review: Map By Years (Peggy Baker Dance Projects)