Toronto Theatre Reviews

Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.

Review (Kid +1): Under the Stairs (Young People’s Theatre)

Toronto’s Young People’s Theatre presents a play by Kevin Dyer full of warmth and humour

Under The Stairs, YPTPlaying at Young People’s Theatre in Toronto, Under the Stairs is an important, fanciful musical story written by Kevin Dyer. It’s about a little boy named Tim who escapes to a closet of coats when his parents argue. There he finds comfort amongst a motley crew of other abandoned souls.

Timmy (Kyle Orzech) is sweet and boyish in his grey pyjamas and bare feet. Lily (Kelsey Verzotti) lives in the closet and is loving and protective. Violet (Fiona Sauder) is her cynical, foot-stomping  best friend, and Albert (Paul Rainville) is their non-verbal tag-along whose knees easily wobble.

Continue reading Review (Kid +1): Under the Stairs (Young People’s Theatre)

Review: The Shimmering Verge (Prairie Fire, Please)

The Shimmering Verge is a “quietly thrilling piece of lyrical storytelling” on stage in Toronto

First premiering in 2002 at the Tarragon Spring Arts Fair before touring Canada and the US, poet Molly Peacock’s The Shimmering Verge has been revived by performer Madeleine Brown and director Karthy Chin. Prairie Fire, Please presents this solo show at Studio 21  (Théâtre français de Toronto) for the next week in celebration of National Poetry Month. 

Anecdotal and self-reflective, The Shimmering Verge is, in essence, Peacock’s love letter to poetry. She has taken great care to craft her love of the medium into tightly composed, intelligent reflections on form and style, life experience and artistic endeavour. Continue reading Review: The Shimmering Verge (Prairie Fire, Please)

Review: Hot Brown Honey (Why Not Theatre/Native Earth Performing Arts)

Hot Brown Honey is a dazzling socially driven cabaret, a “brilliant spectacle” on stage in Toronto

Near the beginning of Hot Brown Honey, an Australian export co-produced by Why Not Theatre and Native Earth Performing Arts and presented to lucky Toronto audiences by TO Live, Queen Bee Busty Beats exclaims from the hive-top “Fighting the power never tasted so sweet!” They are unimpeachably correct, so please stand by for several paragraphs of effusive, lavish praise for this spectacular piece of work.

Continue reading Review: Hot Brown Honey (Why Not Theatre/Native Earth Performing Arts)

Review: Kopernikus (Against the Grain Theatre)

Against the Grain Theatre presents a unique piece of experimental opera in Toronto

Against the Grain Theatre‘s production of Kopernikus: A Ritual Opera for the Dead by late Montreal composer Claude Vivier is unlike anything I have seen at the opera to date. This unique piece blurs the lines between dance, opera and theatre and pushes the boundaries of our understanding of operatic singing. In the composer’s own words “there is no story” and the experience is much more akin to a musical meditation than watching a show. Continue reading Review: Kopernikus (Against the Grain Theatre)

Review: ANGÉLIQUE (Obsidian and Factory Theatre)

Obsidian and Factory Theatre present the tragic story of Marie Joseph Angélique in Toronto

The year is 1734. A large fire destroys a hospital and several houses in Montréal. One of those houses belongs to the owner of an enslaved Black woman. As the fire raged, she was attempting to flee captivity. With very little evidence, that woman was found responsible for setting the blaze. She was tortured and hanged. Her name was Marie Joseph Angélique. This is her story.

Factory and Obsidian Theatre present the Toronto Premiere of ANGÉLIQUE, a co-production between Black Theatre Workshop and Tableau D’Hôte Theatre of Lorena Gale’s passionate and persuasive depiction of Angélique’s life leading up to that fire. Through her story, we are given a glimpse into this dark and unsettling part of our Canadian history.  Continue reading Review: ANGÉLIQUE (Obsidian and Factory Theatre)