The Legend of White Woman Creek by The Coldharts is a unique musical that is thankfully present at this year’s Toronto Fringe Festival. The show begins with a professor, played by the talented Katie Hartman, who has become obsessed with the tale of Anna Morgan Faber. Hartman confides that Faber, also called Anna-Wee , is the ghost that haunts a creek in Kansas. Hartman places candles around her and performs a seance, invoking Anna-Wee. The circle is completed, Hartman is possessed, and she sings her tale.
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Toronto Theatre Reviews
Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.
Punch Up (Theatre Brouhaha) 2014 Toronto Fringe Review
Can you save a life with comedy? That’s the question Theatre Brouhaha asks in the Toronto Fringe Festival production of Kat Sandler’s Punch Up. I’m not sure if any lives were saved on opening night, but there were certainly audience members doing the ugly laugh-cry. This is one hysterical show. Continue reading Punch Up (Theatre Brouhaha) 2014 Toronto Fringe Review
Karenin’s Anna (Squeaky Wheel Productions) 2014 Toronto Fringe Review
One might expect a show that has a Russian name in the title and is playing at the notoriously chilly St. Vlad’s theatre to be a rather cold experience, but Karenin’s Anna, presented by Squeaky Wheel Productions, is just the opposite. Playing now as part of this year’s Toronto Fringe Festival, Karenin’s Anna is a show that works perfectly in such an intimate setting, and is also one that Fringers should get their tickets to soon.
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SLUT (Beer in a Glass Productions) 2014 Toronto Fringe Review
Debuting at this year’s Toronto Fringe Festival, Erin Thompson and Beer in a Glass Productions presents SLUT, her one woman show that explores sex, sexuality, and relationships in the modern world. It’s like Sex and the City through the eyes of one woman continuing and expanding from where Carrie and the girls left off.
It’s a very appropriate time for Thompson to debut this particular show. In the face of the current #yesallwomen movement in response to the current onslaught of misogyny and violence against women that has plagued our society as of late, this show acts as a voice for women to embrace their sex and sexuality no matter how they choose to express it.
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Elly’s Emotions (Daley Productions) 2014 Toronto Fringe Review
At the Toronto Fringe Festival as part of FringeKids!, Elly’s Emotions, playing at the Palmerston Library, is a high-energy must-see musical produced by Daley Productions. It speaks to today’s kids for whom video games replace make-believe games, and being a creative, non-consuming daydreamer can make a child “weird”.
Written by Johnson & Johnston, the play is about how Elly (Torri Webster) struggles to keep her friends who no longer appreciate her lack of “stuff.” Her former pals are drawn to the kid with the Wii. Now who will come to her birthday party when there won’t even be a bouncy castle?
Continue reading Elly’s Emotions (Daley Productions) 2014 Toronto Fringe Review