Review: The Short Short Play Festival – Room 17, Charlie Blake’s Boat, Midnight Rubes (The Social Capital Theatre)

The Social Capital Theatre, Toronto presents The Short Short Play Festival, July 22-25, 2015

Tonight, I got to take in three 20 minute plays as part of The Social Capital Theatre’s inaugural Short Short Play Festival; Room 17 by Barb Scheffler, Charlie Baker’s Boat by Graeme Gillis and Midnight Rubes by Ron Fromstein. I was looking forward to this little variety pack of plays and I am happy to report, I got exactly what I was hoping for as it proved to be an evening full of entertainment and talent. Continue reading Review: The Short Short Play Festival – Room 17, Charlie Blake’s Boat, Midnight Rubes (The Social Capital Theatre)

4 Things we Loved About Fringe 2015; 4 Hopes for 2016

FringeKidsPhoto by Catherine Jan

We Loved: FringeKids!
Last year, FringeKids got good, acquiring their own club especially for young audiences. But this year, things got awesome, with all-day activities rocking right next to the FringeKids venue — finally out of the library and into the George Ignatieff — unifying both halves of the FringeKids program. In two years, FringeKids has gone from being a bit of a drag (walk to a show; walk back to Bloor for lunch; walk to a show; walk back to Bloor to kill 45 minutes…) to a daylong destination, and with all the consternation over declining audiences, we’re please as punch to see the festival getting this right.


 

LotteryPhoto by Dylan George

We Hope For: More Venues!
This year, nearly 700 companies entered the lottery, and this is one of the festival’s biggest successes — but they’re only drawing 130ish winners, and that figure gets more and more disappointing every year. There’s definitely an administrative and technical overhead associated with looping in more venues, but adding the Tranzac — remember the Tranzac? — would bring an additional 10-11 shows to the festival; scoop up the Storefront, that’s another more-or-less dozen, and there’s more where that came from. (If you’ve got the Storefront, the Comedy Bar has two spaces about a block away, and Bad Dog now has a little shoebox, too…) Obviously, we’re never going to get anywhere near 100% participation, but with the Fringe growing every year, can we find room for more?

Continue reading 4 Things we Loved About Fringe 2015; 4 Hopes for 2016

Review: The Big ‘What Now?’ (Sandra Shamas/Panamania)

Sandra Shamas  The Big 'What Now?'

Sandra Shamas brings her latest comedic installment to the Toronto Young Centre

Sandra Shamas premiered her new show – The Big ‘What Now?’ at the Young Centre on Wednesday as part of PANAMANIA. The audience of proudly menopausal and post-menopausal women — and a few men — greeted her with a hooting, hollering, foot-stomping ovation.

We love Sandra Shamas. She tells our lives. She’s smart, observant, thoughtful, introspective, and very funny. Continue reading Review: The Big ‘What Now?’ (Sandra Shamas/Panamania)

Monday Nights (6th Man Collective)

Byron Abalos, Colin Doyle, Richard Lee and Darrel Gamotin

Interactive basketball theatre performance takes to the courts in Toronto

While waiting to enter the makeshift basketball court at The Theatre Centre to see Monday Nights – an “interactive immersive bromance” show by 6th Man Collective  – we see a sign, some pieces of paper, and pencils.

“Write your wish, and place it in the basketball,” the sign tells us. So I, my companion, and mostly everyone else in the room does just that. As I’m revelling in the novelty, sneaking a second wish into the split open basketball and reading the court rules posted on the door, a whistle blows. A referee is now commanding our attention. I’m already excited – and it only gets better.

Continue reading Monday Nights (6th Man Collective)