Review: The State of Tennessee (MinMar Gaslight Productions)

The State of Tennessee

 

An Intense Exploration of Tennessee Williams at the Theatre Passe Muraille Backspace

It is a daunting task to write a play about Tennessee Williams. In The State of Tennessee, writer/director Steven Jackson has done an imagining of the playwright’s last days, that shows his softer, vulnerable side, romanticizing his end to give us a more sympathetic portrayal of his character.

The story is as follows: A young playwright, Steve, knocks on the Key West, FL home of Tennessee Williams, where he lives in seclusion, in the company of a disapproving maid, bottles of pills and alcohol. The young playwright, suffering from writer’s block and running from his own demons, seeks inspiration from his childhood idol. Although reluctant at first, moved by his boyish charm and helplessness, Tennessee agrees to help him. What follows are soulful and insightful reflections on writing and life in general. My favourite was, ” A play is revealing the audience to themselves.”

Continue reading Review: The State of Tennessee (MinMar Gaslight Productions)

Review: Gavin Crawford: Sh**ing Rainbows! (Buddies In Bad Times Theatre)

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 Gavin Crawford’s Razor-Sharp Satire Stretches His Range And Delights Toronto Audiences

Coming home from Gavin Crawford: Sh**ing Rainbows at Buddies last night, our babysitter asked: is it a drag show? Well, no. I mean, he dresses in drag but, no, not a drag show. Is it a concert? Well, no. I mean, he sings, but no.

This of course begs the question: well, then, what kind of a show is it? It’s a truly hilarious, flagrantly nerdy, relentlessly pointed, extravagantly f**king queer show, that’s what kind it is. It’s what Pride should be: political and fabulous and campy and self-aware and fearless. Not corporate, not blunted by the “family friendliness” imperative, and yet still sharply satirical of institutions of power and cultural memes. 

Continue reading Review: Gavin Crawford: Sh**ing Rainbows! (Buddies In Bad Times Theatre)

Radio :30 – Toronto Fringe 2013 Press Release

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From press release:

the night kitchen presents the Dora, Chalmers, and Canadian Comedy Award winning

“Radio :30” July 3 – 13, 2013 at the Toronto Fringe!

Written & performed by Chris Earle
Directed by Shari Hollett

The hit dark comedy returns to the Toronto Fringe (where it premiered), and then embarks on a national Fringe tour to Winnipeg, Calgary, Edmonton, and Vancouver!

In Radio :30, a veteran “voice guy” named Ron (Chris Earle) is recording a 30 second radio ad with the help of his faithful recording engineer Mike (Paul Constable). Between takes, Ron shares the tricks of his trade with the audience, inadvertently revealing how the polished dishonesty of his profession has infected his personal life. Haunted by his conscience, Ron’s silver tongue begins to betray him…

“A powerful tale of betrayal and deceit. Ron is a 21st century Willy Loman created and performed to unsettling perfection by Chris Earle”  – The NY Times             

“Wickedly funny, unexpectedly moving” – The New York Sun

“NNNNN – One of the funniest shows of the Fringe, Radio :30 is also one of the most moving.” – NOW Magazine

And in a special twist, the role of “Mike”, the unseen recording engineer, will be played by a different actor in each city:

Toronto: Paul Constable (Second City), Calgary: Trevor Leigh (Theatre Calgary) Edmonton: Dana Andersen (Second City, Die-Nasty) Winnipeg and Vancouver: Sam Earle (Degrassi)

“Radio :30” is once again directed by Shari Hollett, with Lighting Design by Jennifer Stobart, and Sound Design by Bob Derkach.

Produced by the night kitchen.
Website – www.nightkitchentheatre.ca
Facebook – facebook.com/Radio30fringe
Twitter – @Radio30fringe

Toronto Fringe July 3-14, 2013
VENUE: Tarragon Mainspace, 30 Bridgman Ave

Wed    July 3    @ 7:00 pm
Fri       July 5    @ 1:15 pm
Sun     July 7    @ 4:45 pm
Tue      July 9    @ 5:15 pm
Thur     July 11   @ 9:45 pm
Fri        July 12    @ 7:00 pm
Sat       July 13   @ 2:15 pm

Tickets:  $10. Avail. at Venue one hour prior to show time – cash sales only.

Advance tickets: $11. on sale June 17th, purchase online: fringetoronto.com. or 416-966-1062, ext 1.

In Person: During the Festival, Box Office in the parking lot behind Honest Ed’s (581 Bloor St W).

Photo by John Scully.

Inge Snapshots: Mid-America Mid-Century – Toronto Fringe 2013 Press Release

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From press release:

“Though nothing can bring back the hour
Of splendour in the grass, glory in the flower,
We will grieve not, rather find 
Strength in what remains behind.” 
William Wordsworth

Two lovers, haunted by their former romance, see each other again after many years. Have the years apart brought anything more than pain and emptiness?  The Remnants present INGE SNAPSHOTS: MID-AMERICA MID-CENTURYtwo of noted American playwright William Inge’s one-act plays – BUS RILEY’S BACK IN TOWN and GLORY IN THE FLOWER – performed as a double-bill at the Helen Gardiner Phelan Playhouse Theatre as part of the Toronto Fringe Festival July 3-13, 2013. Tickets are available beginning June 17 via www.fringetoronto.com, by telephone at 416-966-1062 (ext.1), or at the door.

Can coming to terms with the past bring hope for the future? Welcome to INGE SNAPSHOTS: MID-AMERICA MID-CENTURY. Playwright William Inge explored the same ground in two different versions of the same story – one a youthful reunion set against the optimism of early 1950’s America, and one through a more mature lens, set against the burgeoning change of the late 1950’s. INGE SNAPSHOTS offers an elegiac portrait of small town life, the fullness of first love and its aftermath. Presenting both plays with the same acting company, in a twist on the old model of repertory theatre, The Remnants ask the question:  How does a reunion change when a pair of lovers reunite later in their lives? How does time affect feelings of loss and regret?

INGE SNAPSHOTS features a stellar cast of award-winning actors: Jeff Gruich (The Mysterious Mr. Love,Globus Theatre; The Two Gentlemen of Verona, Shakespeare in the Square; Art, Globus Theatre), Katharine McLeod (Dear Harvey: A Play About Harvey Milk, Diversionary Theater/FringeNYC; Pride and Prejudice ,Actors Theatre of Louisville), David Mackett (The Taming of the Shrew, Shakespeare Bash’d/Toronto Fringe Festival; Aftershock, Theatre on the Verge/SummerWorks), Suzette McCanny (The Trojan Women, Alumnae Theatre; Bloom, Steam Powered Theatre), Tim MacLean (The Emotionalists, SummerWorks 2010), andJoseph Mottola (Euripides’ Cyclops, Toronto Fringe Festival).  

INGE SNAPSHOTS is produced and directed by veteran theatre artist Rod Ceballos (Shakespeare Festivals of Chicago, Cincinnati and Idaho, Virginia Shakespeare Festival, Rose Theatre/Flower City Theatre Festival, The Empty Space Theatre, Fly on the Wall Theatre, BirdLand Theatre). Stage managed and associate-produced byAllison Bjerkseth (Six Acts, Prague Quadrennial).

More information is available via www.theremnantstheatre.com

Show information for INGE SNAPSHOTS: 

Venue: Helen Gardiner Phelan Playhouse Theatre
79 St. George Street, Toronto (St. George just below Harbord)
Performances: Wed July 3 – 6:30pm
Fri July 5 – 8:45pm
Sun July 7 – 1:30pm
Wed July 10 – 11:00pm
Thurs July 11 – 7:45pm
Fri July 12 – 1:45pm
Sat July 13 – 12:00pm
Please note there is absolutely no latecomer seating.
Tickets: $10 at the door (cash only)
Or $11 in advance ($9 + $2 SC, Visa or MasterCard)
beginning June 17 via www.fringetoronto.com or 416-966-1062 ext. 1

 

Photo by Allison Bjerkseth. 

Love is a Poverty You Can Sell 2: Kisses for a Pfennig – Toronto Fringe 2013 Press Release

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From press release:

Step into the world of a 1920’s Berlin Cabaret for an evening of song, story, and sin!

Soup Can Theatre is proud to present a bold and colourful new production that mergesmusical and comedy cabaret with immersive theatre. Following in the footsteps of the 2010 Fringe smash hit Love is a Poverty You Can Sell – which was also presented as part of the ‘Best of Fringe’ program and the 2012 Next Stage Festival – Love is a Poverty You Can Sell 2: Kisses for a Pfennig (German for ‘penny’) aims to recreate the mood and atmosphere of an authentic Berlin cabaret in ‘Bite’, a warm and scenic bar/music venue in the heart of downtown Toronto, and to seduce audiences with a tantalizing stage show rife with song and spectacle.

Love is a Poverty You Can Sell 2: Kisses for a Pfennig features music from across the decades, including the songs of German darling Marlene Dietrich, famed stage composer Kurt Weill, cabaret pioneer Frederick Hollander, Broadway legends Stephen Sondheim andKander & Ebb (Cabaret), the subversive musical hit Urinetown, American singer-songwriter giants Paul Williams and Harry Nilsson, and others. Bringing these memorable melodies to life is a live ten-piece orchestra and a top-notch cast of Bohemian riff-raff including Seth Drabinsky (Hedwig in Breath.Feel.Love’s Hedwig and the Angry Inch), Jennifer Walls andNatasha Negovanlis (cast members of Angelwalk’s Dora nominated revue Off Broadway, On Stage), Michael-David Blostein (the Emcee in Adam Brazier’s Hart House Theatre production of Cabaret), show-stopping “male actress” Christian Jeffries, and many returning cast members from the first Love is a Poverty You Can Sell. Also returning are audience favourites, emcees Hans and Jodel (Ryan Anning and Scott Dermody), who will liven the proceedings with their unique brand of corkscrew banter and add intrigue with a dark folk tale about a young butcher’s apprentice.

Love is a Poverty You Can Sell 2 won’t stop at the edge of the stage; mixing and mingling with the audience throughout the performance will be supporting performers, lovingly referred to as the “Bar Flies”, playing 1920’s cabaret denizens who will help break down the barrier between the past and the present. Patrons will also be able to visit the bar and enjoy a traditional German beverage; the Berliner Weisse – a centuries-old summer cocktail made from Weissbier (wheat beer) and real raspberry syrup.

Under the directorial eye of Sarah Thorpe and the baton of music director Pratik GandhiLove is a Poverty You Can Sell 2: Kisses for a Pfennig promises a hedonistic evening to remember!

Praise for the first Love is a Poverty You Can Sell includes:

Sultry … Seductive … Uniformly Delectable … N N N N N” – NOW Magazine

Stellar … Constantly Delights … Note-Perfect Mingling of the Past with the Present … ★★★★” – Eye Weekly

Immersive and Inventive … A Must-See” – Toronto Review of Books

Smart … Stylish … I Loved the Whole of It” – Slotkin Letter


Performance Details:

Where: Bite – 423 College Street, just east of College and Bathurst.
When: July 3rd to 14th at 7pm (no show July 8th). 90 minute run time.

Tickets:

Tickets are $10 and available at www.fringetoronto.com, by phone at 416-966-1062, or in person at the venue starting one hour before show time.

Principal Cast:

Arthur Wright
Christian Jeffries
Cory Strong
Dayna Chernoff
Hayley Preziosi
Jeni Walls
Michael-David Blostein
Natalie Kulesza
Natasha Negovanlis
Ryan Anning
Scott Dermody
Seth Drabinsky

Creative and Production Team:

Director and Choreographer – Sarah Thorpe
Emcee Segment Writer and Co-Director – Justin Haigh
Music Director – Pratik Gandhi
Producers – Justin Haigh, Sarah Thorpe, Scott Dermody
Stage Manager – Samantha Lewis
Assistant Stage Manager – Leslie Thorpe-Dermody

About Soup Can Theatre:

Soup Can Theatre is a vibrant Toronto-based theatre company dedicated to the reinterpretation of classic theatre for a twenty-first century audience. Our aim is to use existing works as a means to explore and comment on contemporary issues and societal challenges, and in so doing, to offer our audiences a theatrical experience that is both entertaining and enriching. And sometimes we just like to have fun. Soup Can Theatre’s past productions include Love is a Poverty You Can SellMarat/SadeAntigone, and an opera/theatre double bill presentation of A Hand of Bridge & No Exit.

www.SoupCanTheatre.com
www.Facebook.com/Groups/SoupCanTheatre
www.Twitter.com/SoupCanTheatre

Back Row: Hayley Preziosi, Dayna Chernoff, Arthur Wright (background), Michael-David Blostein (foreground), Christian Jeffries, Scott Dermody, Jennifer Walls Front Row: Ryan Anning, Natasha Negovanlis, Seth Drabinsky. Photo by Lauren Vandenbrook