The daring third installment of the Queenmaker series explores the rise of Bloody Mary
Soulpepper has mounted the third play in writer Kate Hennig’s Queenmaker Trilogy, Mother’s Daughter is an enthralling and tense historical drama on stage at the Young Centre for the Performing Arts.
This play checks all the boxes for me: the writing is tight and Hennig weaves an interesting and engaging story with these characters from the Tudor era. The performances are great across the board and the technical aspects and set design are certainly impressive. It’s a great show, and I do recommend it. Continue reading Review: Mother’s Daughter (Soulpepper)