All posts by Megan Mooney

Megan loves being in the thick of all things theatre, but her ultimate goal is to promote theatre to the world of non-theatre people. It was the same when she was the theatre writer for blogTO, or the Fringe Correspondent for CBC Radio One‘s Here and Now, as it is as the founder of Mooney on Theatre. Her basic belief is that there is theatre/performance out there for everyone to love, they just need to find it. This is not to be confused with the idea that everyone should love theatre for theatre’s sake, in fact, as obsessed as she is with theatre, even *she* doesn’t love all types of theatre.

Review: i.D. (Cirque Eloize at the Sony Centre)

By Megan Mooney

CirqueEloizeiD_SonyCentre

Amazing strength, agility and beauty grace the stage in the Cirque Eloize Toronto presentation of iD

If I ever wondered what it would be like to witness true spectacle, I need not anymore.  Watching Cirque Eloize perform i.D. at the Sony Centre for the Performing Arts felt like watching the definition of spectacle, and it was wonderful.

Usually I try to avoid talking about what a piece is supposed to do, because who really knows what a piece if meant to do and what the intentions of a creator are other than the creator themselves, but i.D. felt like it did exactly what it was meant to do.  It filled me with awe.  It was delightful.

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Review: Billy Twinkle Requiem for a Golden Boy (Factory Theatre)

By Megan Mooney

Billy Twinkle Requiem for a Golden Boy created and performed by Ronnie Burkett Sept 24 - Oct 24 at Factory Theatre (Trudi Lee photo) - low res

Puppets take over a Toronto theatre and impress the crap out of the audience

People have many reactions to marionettes.  I’m fascinated by them.  I have another friend who is quite literally terrified of them, an honest-to-goodness marionette-phobia.  He would not have enjoyed Billy Twinkle Requiem for a Golden Boy playing right now at Factory Theatre because he would have spent the entire time under his chair.  I, on the other hand, loved it.  Judging on the comments for the people around me as I was leaving the theatre, so did everyone else.

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[Sponsored Article] Baobab Youth Theatre Group present African Women are Strong as the Baobab Tree

I don’t know if you’ve ever had the opportunity to see a Baobab Tree before.  My first encounter was on paper in The Little Prince where they were described as "Trees as big as castles".  When I first saw one in real life I was blown away.  I was somewhere around 7 years old, and completely blown away.  They are huge and beautiful.  Don’t believe me?  Look at this picture

So, it’s no surprise that the Baobab Tree is used to evoke a powerful image of strength.  It’s an image that has drawn me into this play, African Women are as Strong as the Baobab Tree.  I haven’t had the chance to see it yet, but I really want to (as you may have noticed in the ‘Eye catching theatre’ post from last week).

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(Sponsored Article) Funny hit musical [Title of Show] being produced in Toronto by Angelwalk Theatre

When people think of musical theatre and Toronto, far too often they think the only options are great big companies like Mirvish or Dancap, but the truth is there are small companies who are producing great work with affordable ticket prices and fantastic performances.

One of those companies is Angelwalk Theatre, and right now they are presenting Jeff Bowen and Hunter Bell’s [Title of Show].  Musical theatre with catchy tunes, lots of laughs, and all sorts of meta goodness (a show about writing a show about writing a show about writing a show…  well you get the idea).

The show is running until Sunday October 10, 2010 at the Toronto Centre for the Arts with ticket prices starting as low as $25.  In fact, a limited number of rush tickets are now available for all Saturday Matinee performances for $20 (cash only) at the Box Office. 

Check out the details of the show below:

Continue reading (Sponsored Article) Funny hit musical [Title of Show] being produced in Toronto by Angelwalk Theatre