The one thought running through my head after seeing Plucked at The Theatre Centre’s Mainspace was: “That was beautifully f***ed up.” Plucked is being put on by Newborn Theatre as part of Summerworks 2016, and it’s a surreal, funny, and deeply disturbing dissection of gender and the oppression of women by our patriarchal society.
Continue reading Plucked (Newborn Theatre) 2016 Summerworks Review
Shakesbeer brings its comedy back to Toronto’s Wynchwood Barns this summer
The Classical Theatre Project’s Shakesbeer is a perfect storm of good things. Their production of The Complete Works of William Shakespeare (Abridged), running until August 17th at the Artscape Wynchwood Barns, has become a summer tradition in Toronto. All the things theatre-lovers (or at least this theatre-lover) enjoy – the bard, live music, great acting, and beer – come together to make Shakesbeer one of the most enjoyable shows I’ve ever seen. Continue reading Review: Shakesbeer (Classical Theatre Project)
Toronto’s Lower Ossington Theatre presents Peter and the Starcatcher, a quintessential family show
It’s a sad fact of life that we all grow up, but if you want to feel like a kid again, you could go see Peter and the Starcatcher, running from July 7th to August 28th at the Lower Ossington Theatre. My guest and I had a lot of fun watching this play, though in retrospect I probably should have brought my 14 year old sister instead of my 24 year old cousin. This is a quintessential family show that reminds me of a Pixar movie in the way that viewers of all ages will be able to enjoy it for different reasons. Continue reading Review: Peter and the Starcatcher (Lower Ossington Theatre)
Out – A One-Man Gay Odyssey is a hilarious, nostalgic, and emotional look at a one man’s experience coming out in the 70’s. Out is being performed in the Helena Gardiner Phelan Playhouse (79 St. George St.) at the Toronto Fringe Festival, and it opened to a standing ovation that I was happy to take part in.
Continue reading Out (Big Bappis) 2016 Toronto Fringe Review
You know from the title of the show that #scarecrow is trying to be edgy and current. When I walked into the Robert Gill Theatre (214 College St.) to see this production being put on at the Toronto Fringe Festival, this was confirmed for me.
Continue reading #scarecrow (Hard-Bitten) 2016 Toronto Fringe Review
Right off the bat, Goodbye To All That (playing in the Passe Muraille Mainspace at the Toronto Fringe Festival) has a great name going for it. It also sports some great dialogue and fantastic acting.
The show tells the story of a wayward man who falls in with a ragtag group at the Cabaret Voltaire in the midst of WWI. Through them, he learns of Dadaism as a form of expression. The show’s timeline is non-linear, but the plot is still concise and easy to follow. This play is a perfect example of dramedy, with an even balance of both the comedic and dramatic in it.
Continue reading Goodbye To All That (Mirabilis) 2016 Toronto Fringe Review
If you’ve ever thought you might enjoy seeing someone “trip balls” onstage (or if you partake in such shenanigans yourself), then Frolick Theatre’s production of Cowboy Mouth is everything you could want. This is a rather strange production being put on in the Passe Muraille Mainspace (16 Ryerson Avenue) at the Toronto Fringe Festival. Continue reading Cowboy Mouth (Frolick) 2016 Toronto Fringe Review
I was skeptical going into Boulderz Climbing Centre (1444 Dupont St, Unit 16) to see the Sky Above Us Productions show, Crux, at the Toronto Fringe Festival. Seeing a show at a climbing centre sounded kind of gimmicky to me. But coming out of it I was ecstatic. This is the most fun I’ve had at the “theatre” in a very long time.
Continue reading Crux (Sky Above Us) 2016 Toronto Fringe Review
When I emerged from the Passe Muraille Backspace (16 Ryerson Ave) having just seen Cut Up by Poison Cathedral Productions at the Toronto Fringe Festival, the woman working the booth asked me what it was about. To be honest, I’m still not entirely sure.
Continue reading Cut Up (Poison Cathedral) 2016 Toronto Fringe Review
4.48 Psychosis Captures a State of Mind, Now Playing in Toronto
NSK Theatre is mounting a short run of Sarah Kane’s 4.48 Psychosis in Toronto’s Storefront Theatre. 4.48 is a harrowing portrayal of depression and suicidal ideation, and the last work Kane produced before taking her own life in 1999.
I’ve heard 4.48 described as a very long suicide note being performed onstage. The play is not written with characters, just lines that could be divvied up between any number of actors. For this reason, any production of 4.48 will necessarily have a healthy dose of dramaturgy. So if the subject matter isn’t enough to make this a complex piece, this is a show that often forays into abstraction. Continue reading Review: 4.48 Psychosis (NSK Theatre)