Matt Folliott and Ted Hallett are a dynamic duo if I ever saw one. From the moment the lights dimmed, and the obscure/not-meant-to-be dreary Fringe announcement ended, they turned the energy in the room right up by jumping out on stage, followed by a sarcastic comment and introduction from their stage manager.
Written by Dawna Wightman, A Mickey Full of Mouse is playing at the Tarragon Extraspace as part of the Toronto Fringe Festival 2017. This raw road trip story takes us to the childhood memories of two women, Anna and Margaret. The main recollection is the 1976 journey to Florida that includes Anna (Louise Lupo), Margaret (Dawna Wightman) and Anna’s mother (also Wightman) and father.
Entering the space for Sleepless Nights I was greeted by a cold, uneasy sight. Four young girls laying on the ground in darkness, eerie music playing loudly and a man walking in circles at the back of the stage. This play is produced by Paprika Creators Unit and is playing at the Toronto Fringe Festival.
Theatre Enthused brings Dear Uncle Wish to the 2017 Toronto Fringe, and I couldn’t be more grateful to have seen it. Dear Uncle Wish captures a time of transition in newly confederated Newfoundland, and explores the tensions between old and new by focussing on two characters’ different approaches to healing. This is an intricately woven tale that will show you something that you may not have thought about recently. Dear Uncle Wish is a modern, original play written by Samantha Chaulk (who also happened to produce, compose the musical score, as well as play the main character, ‘Bride’). If you’d like to see an imaginative and expansive interpretation of a past that wasn’t so long ago, I urge you to go. Continue reading Dear Uncle Wish (Theatre Enthused) 2017 Fringe Review→