Your enjoyment of this show will vary in proportion to (1) how much you enjoy roots music, and (2) how charming you find Keith Alessi, the man at the centre of this autobiography.
Though it appears a saccharine, nostalgic romp at first glance, Movin’ Melvin Brown‘s self-titled revue is a genuine adventure through memory and music. Perhaps an unorthodox choice when the Toronto Fringe Festival offers shows considered more cutting-edge, but Brown’s performance is more layered and stimulating than it first appears.
While Rabbit in a Hat Productions’ Paradise Lost serves as an adaptation of John Milton’s epic poem about the Fall of Man, this is unmistakably a stage show rather than a poetry reading. What I mean by that is yes, the words are all Milton’s (and they are beautiful words), but the production also uses projections, puppetry, and poetry to enhance and interpret them for the stage, bringing a unique and powerful version of the story to the Toronto Fringe Festival.