So, in the spirit of ‘getting with the times’ I’ve set Mooney on Theatre up on Twitter.
If you want to follow us and get random (generally) theatre-related tweets you can check it out at twitter.com/mooneyontheatre
They’re also available here on the sidebar on the right.
On May 14 there is a fundraiser for the Toronto Burlesque festival, but they’re short one balloon girl! Help is needed urgently!
Okay, well, that might have been a bit melodramatic, but there’s a group of people in need, and maybe you know someone who can help.
Here are the details from Canadian Wolfman on Facebook:
Continue reading Ever wanted to be a performer in a Burlesque show?
By Olya Ryabets
House of Many Tongues at Tarragon, written by Jonathan Garfinkel and directed by Richard Rose, is probably one of the biggest theatrical surprises I’ve had in a long while.
Given the subject matter (Israeli-Palestinian conflict) and the director (Rose is the guy who brought us ‘Scorched’), I fully expected a drawn-out family saga, ripe with preachy sentimentalism aimed to mollify our white liberal guilt. What I got instead, though, is a pleasing (if naïve) evening of magical realism and laughs.
Continue reading House of Many Tongues – Tarragon Theatre
By Dana Lacey
I won’t lie—despite the Oscar buzz, I never bothered to see Doubt on the big screen. It looked boring and weighty and depressing.
Nuns and pedophilia? No thanks.
Yet, somehow, with only 4 cast members and very minimal sets, Bluma Appel Theatre’s production of the Pulitzer Prize winning play was fantastic.
Weighty, yes, with an overdose of hit-you-over the head morality… but also intelligent and funny (never thought I’d find myself laughing at Lent-related humour.)
Continue reading Doubt: a parable- Bluma Appel Theatre