Toronto Theatre Reviews

Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.

Review: Così fan tutte (Canadian Opera Company)

Photo of Johannes Kammler, Emily D’Angelo, Kirsten MacKinnon, and Ben Bliss by Michael CooperThe Canadian Opera Company revives its Atom Egoyan-directed Così fan tutte in Toronto

The Canadian Opera Company has revived its 2014 production of Mozart’s Così fan tutte directed by Atom Egoyan. For this production, the director takes the opera’s secondary title, “The School for Lovers,” literally and sets it in what looks like an Edwardian-era boarding school which he packs full of naturalist symbols like giant butterflies. The end result is decidedly mixed. There are some aspects of the production I loved and other aspects that I found absolutely frustrating. Continue reading Review: Così fan tutte (Canadian Opera Company)

Review: Cirque Éloize Hotel (TO Live)

Photo of the cast of Cirque Éloize Hotel provided by the company The Montreal-based theatrical circus company brings its new show to Toronto

Cirque Éloize has been touring its shows in proscenium theatres around the world for the past 25 years. TO Live (the recently re-branded Civic Theatres of Toronto) is presenting their newest show at the St. Lawrence Centre. Hotel follows hot on the heels of shows by other theatrical circus companies from Quebec–Cirque du Soleil and Les 7 doigts de la main–which also played runs in Toronto within the past two months. Unfortunately, I don’t think Cirque Éloize’s offering measures up.  Continue reading Review: Cirque Éloize Hotel (TO Live)

2019 Progress Review: The Ex-Boyfriend Yard Sale (Ted Witzel)

Haley McGee in The Ex-Boyfriend Yard SaleAn interactive look at breakup recovery at the 2019 Progress Festival playing in Toronto

Haley McGee’sThe Ex-Boyfriend Yard Sale, curated and presented by the red light district and Outside the March for the 2019 Progress Festival, is a lesson on how to turn sentimental value into cold, hard cash.  ‘Can’t be done.’ you might say. Yes, it can, and McGee has the formula to prove it. Continue reading 2019 Progress Review: The Ex-Boyfriend Yard Sale (Ted Witzel)

Review: Elektra (Canadian Opera Company)

0033 – Christine Goerke as Elektra (at left) in a scene from the Canadian Opera Company’s production of Elektra, 2019. Conductor Johannes Debus, director James Robinson, associate director Omer Ben Seadia, set designer Derek McLane, costume designer Anita Stewart, and lighting designer Mimi Jordan Sherin. Photo: Michael Cooper

I was excited to see Christine Goerke, Brünnhilde of Canadian Opera Company’s most recent mount of the Ring Cycle operas, return to the COC stage as Richard Strauss’ Elektra in the 2019 production on stage until February 22. Directed by James Robinson, the production is a stylistically updated remount of a production developed by the late Richard Bradshaw in 1997.   Continue reading Review: Elektra (Canadian Opera Company)