2016 Next Stage Theatre Festival Review Index

NSTFThe Toronto Fringe Festival runs a yearly festival called Next Stage Theatre Festival (NSTF), which they bill as “12 days of Canada’s best indie theatre.” There’s a wide variety of shows playing at the festival, and we’ve reviewed all of them! Check out our coverage below to find out more about the shows playing and to see our reviews.

A full festival schedule is available here.

If you want to read all of our reviews at once, click right here.

Or follow the links below to individual reviews:

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Review: Byhalia, Mississippi (Cue6 Productions)

Byhalia, Mississippi - Claire Armstrong, Joshua BrowneCue6 presents Evan Linder’s racially-charged family drama Byhalia, Mississippi in Toronto

Byhalia, Mississippi is a resonating and intense work of art that had me gasping on the edge of my chair. Lines from this charged play by Evan Linder keep echoing in my mind.

Playing at The Storefront Theatre in Toronto just steps from Ossington subway station, Byhalia, Mississippi also recently premiered in Chicago, Memphis and Charleston, along with staged readings in Birmingham, Boulder and Los Angeles. I’m looking forward to the multi-city online conversation at wpconvo.com that will take place on January 18. It’s a rich, multi-layered story with a lot of historical baggage that calls for discussion. Continue reading Review: Byhalia, Mississippi (Cue6 Productions)

Playlistings in Toronto for the Week of January 11th

Shows That Caught Our Eye in Toronto the Week of January 11th, 2015

Review: Red Light Winter (Unit 102 Actor’s Company)

Photo of Omar Hady, Luis Fernandes and Chloe Sullivan in Red Light Winter

Red Light Winter, on stage at Unit 102 in Toronto, features engaging writing, strong performances

Red Light Winter, a play by Adam Rapp that was shortlisted for the 2006 Pulitzer Prize for Drama (no prize was awarded that year), gets a powerful, stylish and heartfelt Toronto production at Unit 102, directed by Anne Van Leeuwen. The show features engaging writing and strong, even outstanding performances. It also sometimes mistakes bleakness for depth.

Continue reading Review: Red Light Winter (Unit 102 Actor’s Company)

Review: The Gay Heritage Project (Buddies In Bad Times)

The Gay Heritage Project engages Toronto audiences, on stage at Buddies in Bad Times

As a gay in my early 40s who has been out for 25 years now, I have begun to notice that my primary affinities are not necessarily with other people of my chronological age, but people who are the same queer age. I came out in the era of ACT UP and Queer Nation, chained myself to buildings and sat in on major thoroughfares; I remember television without a single LGBTQ-identified character and life before Gay/Straight Alliances were a thing.

As a piece, The Gay Heritage Project at Buddies In Bad Times moved me particularly and profoundly in part because I remember – I remember when coming out necessarily meant joining a multi-generational community; I remember when we danced all night and went right to direct actions still smelling like the club and the home fries of afterwards. I am not sure that my memories are what made me love this show so wholeheartedly, though.

Continue reading Review: The Gay Heritage Project (Buddies In Bad Times)