Theatre Reviews

Reviews of theatre, dance, opera, comedy and festivals. Performances can be in-person or streamed remotely on the web for social-distancing.

Review: The Roaring 20’s (Lunacy Cabaret)

poster for lunacy cabaret

An enthusiastic hat’s off to the most politically correct dirty cabaret show no one’s heard of

A silly, yet snarky, and a little bit dirty, night of flappers, hula hoop artist, pantomime performers and much, much more, The Lunacy Cabaret presented The Roaring 20’s to a lively crowd at the Opera House on January 18th.

The Lunacy Cabaret presents professional circus artists, clowns and comedians in a night where they can cut loose from constraints of stuffy corporate gigs and show what they want to a spirited crowd of friends and fans. Continue reading Review: The Roaring 20’s (Lunacy Cabaret)

Review: Casimir and Caroline (The Howland Company)

Photo of Hallie Seline in Casimir and Caroline by Dahlia Katz

Join the office party where where “fun” is merely an attempt to keep the darkness at bay

Casimir and Caroline is based on a popular 1932 German play of the same title by Ödön Von Horváth that has never been staged in North America. Translated by Holger Syme and adapted to modern Toronto by Syme, director Paolo Santalucia and The Howland Company, it’s a satire on the emptiness of love in a time of ruthless capitalism.

An office party run amok is a catalyst for the splintering of a host of social relationships gone manipulative and wrong.

Continue reading Review: Casimir and Caroline (The Howland Company)

Review: Julius Caesar (Groundling Theatre Company and Crow’s Theatre)

A Julius Caesar That Feels Crisp and Alert

After being thrilled to bits by Chris Abraham’s Tartuffe at Canadian Stage, I will tell you truly that I had high expectations for his Julius Caesar at Streetcar Crowsnest. So high, in fact, that to balance my natural enthusiasm I brought a friend who suffers attenuated residual high-school Shakespeare exhaustion and who greeted all my protestations that it would be exciting with a grim “we’ll see.” Let the record show: I was right. This Julius Caesar is fantastic.

Continue reading Review: Julius Caesar (Groundling Theatre Company and Crow’s Theatre)

Review: Sexual Misconduct of the Middle Classes (Tarragon)

Image - Alice Snaden and Matthew Edison sitting on a rug talking in Sexual Misconduct of the Middle Classes

Normally I see plays on opening night, but for a variety of reasons, I saw Sexual Misconduct of the Middle Classes at a Saturday matinee at Tarragon. It’s a different feeling, a different audience; a lot more people my age (middle-aged plus). The standing ovation felt genuine rather than obligatory. It was certainly well deserved.

The plot is familiar, even clichéd. It’s 2014. Jon (Matthew Edison), a 42 year old professor and best-selling author, has an affair with Annie (Alice Snaden), a 19 year old student. We can predict the story. Right?

Continue reading Review: Sexual Misconduct of the Middle Classes (Tarragon)