Skunkweed (Triple ByPass Productions) 2015 Toronto Fringe Review

Photo of Chris Whitby, Melanie Pyne, TJ Cheslea, and Amanda Armagon courtesy Triple Bypass Productions, photo by Cedric Swaneck

Have you ever, in your long and lucky life, met someone who just smiled at you and somehow their smile hit you right in the heart? I have. But never has such complicated, raw, needy nonsense ensued as is acted out in Skunkweed, my first Toronto Fringe show of 2015 (playing at Theatre Passe Muraille in the Mainspace). This production of Skunkweed, an Eric Bogosian play, is 100% Bogosian in plot (sex, drugs, and rock’n’roll) and in theme: what would happen if you stopped behaving as you were supposed to, and did what you wanted instead? Continue reading Skunkweed (Triple ByPass Productions) 2015 Toronto Fringe Review

Rounding the Bend (Out of the Blue Productions) 2015 Toronto Fringe Review

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Four girls, one junky car, and infinite possibilities: be they sexual awakenings, post-grad anxieties, or your typical mid-20s identity crisis. That’s the basic premise of Out of the Blue Theatre Company’s Rounding the Bend, a new musical playing at the Robert Gill Theatre as part of the Toronto Fringe Festival.

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All Our Yesterdays (AnOther Theatre Company) 2015 Toronto Fringe Review

Photo of Chiamaka Umeh and Amanda Weise in All Our Yesterdays by Anthony Saleh.

All Our Yesterdays is an intense drama by Chloe Hung that draws from the infamous April 2014 mass abduction of schoolgirls in Nigeria. Currently being staged at the Factory Theatre Studio as part of the Toronto Fringe, All Our Yesterdays gives its audience every reason to care about these victims and their hell on Earth.

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Rukmini’s Gold (Red Betty Theatre) 2015 Toronto Fringe Review

Photo of Rukmini's Gold Show Poster When the lights come up on a simple wooden bench in the Factory Theatre, Red Betty’s production of Rukmini’s Gold, as part of the Toronto Fringe Festival, promised to show us a story about “where we come from and where we are going”. In the hour and a half after that, the story was told with a delicacy and charm that kept me leaning forward in my seat.

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